No true and absolute account of things, —of the evening and the morning and all the phenomena between them, —but ever a petty reference to man, to society, aye, often to Christianity: What these things are when men are asleep. I come from the funeral of mankind to attend to a natural phenomenon. The so much grander significant of any fact —of sun and moon and stars — when not referred to man and his needs but viewed absolutely! Sounds that are wafted from over the confines of time.
The pitcher-plant, though a little frost-bitten and often cut off by the mower, now stands full of water in the meadows. I never found one that had not an insect in it.
Nature has many scenes to exhibit, and constantly draws a curtain over this part or that. She is constantly repainting the landscape and all surfaces, dressing up some scene for our entertainment. Lately we had a leafy wilderness, now bare twigs begin to prevail, and soon she will surprise us with a mantle of snow….
Each phase of nature, while not invisible, is yet not too distinct and obtrusive. It is there to be found when we look for it, but not demanding our attention. It is like a silent but sympathizing companion in whose company we retain most of the advantages of solitude, with whom we can walk and talk, or be silent, naturally, without the necessity of talking in a strain foreign to the place.
It cleared up this forenoon. I leave my boat opposite the Hemlocks. I see the cold sunlight from some glade between the clouds falling on distant oak woods, now nearly bare, and as I glance up the hill between them seeing the bare but bright hillside beyond, I think, Now we are left to the hemlocks and pines with their silvery light, to the bare trees and withered grass. The very rocks and stones in the rocky roads (that beyond Farmer’s) look white in the clear November light, especially after the rain. We are left to the chickadee’s familiar notes, and the jay for trumpeter. What struck me was a certain emptiness beyond, between the hemlocks and the hill, in the cool, washed air, as if I appreciated even here the absence of insects from it. It suggested agreeably to me a mere space in which to walk briskly. The fields are bleak, and they are, as it were, vacated. The very earth is like a house shut up for the winter, and I go knocking about it in vain.
But just then I heard a chickadee on a hemlock, and was inexpressibly cheered to find that an old acquaintance was yet stirring about the premises, and was, I was assured, to be there all winter. All that is evergreen in me revived at once.
Surveying on Colburn Place — It is suddenly cold. Pools frozen so as to bear–& ground frozen so that it is difficult if not impossible to force down a stake in plowed ground.
The brightness of the foliage generally ceased pretty exactly with October. The still bright leaves which I see as I walk along the river edge of this swamp are birches, clear yellow at top; high blueberry, some very bright scarlet red still; some sallows; Viburnum nudum, fresh dark red; alder sprouts, large green leaves. Swamp-pink buds now begin to show. The late growth of the pyrus is now checked by the frost. The bark of many frostweeds is now cracked or burst off, and curled backward in five or six strips for about an inch, leaving the woody part bare at, or an inch above, the ground, sometimes five or six inches above the ground. I suspect the frost is the dying breath of the weed congealed.
By your few words show how insufficient would be many words. If, after conversation I would reinstate my thought in its primary dignity and authority, I have recourse again to my first simple and concise statement.
In breadth we may be patterns of conciseness, but in depth we may well be prolix.
Returning, I see the red oak on R. W. E.’s shore reflected in the bright sky water. In the reflection the tree is black against the clear whitish sky, though as I see it against the opposite woods it is a warm greenish yellow. But the river sees it against the bright sky, and hence the reflection is like ink. The water tells me how it looks to it seen from below. I think that most men, as farmers, hunters, fishers, etc., walk along a river’s bank, or paddle along it stream, without seeing the reflections. Their minds are not abstracted from the surface, from surfaces generally. It is only a reflecting mind that sees reflections. I am aware often that I have been occupied with shallow and commonplace thoughts, looking for something superficial, when I did not see the most glorious reflections, though exactly in the line of my vision. If the fisherman was looking at the reflection, he would not know when he had a nibble! I know from my own experience that he may cast his line right over the most elysian landscape and sky, and not catch the slightest notion of them. You must be in an abstract mood to see reflections however distinct. I was even startled by the sight of that reflected red oak as if it were a black water-spirit. When we are enough abstracted, the opaque earth itself reflects images to us; i. e., we are imaginative, see visions, etc. Such a reflection, this inky, leafy tree, against the white sky, can only be seen at this season.
It is very pleasant & cheerful now days—when the brown & withered leaves strew the ground—& almost every plant is fallen or withered—to come upon a patch of polypody (as in abundance on hill side between Calla swamp & Bateman’s P.) on some rocky and still more (same) hillside E of the Callas hill side in the woods— When in the midst of dry & rustling leaves defying frost it stands so freshly green & full of life—The mere green which was not remarkable in the summer—is positively interesting now— My thoughts are with the poly-pody a long time after my body has passed. The brakes—the sarsaparilla—the Solomons seals—the ladies slippers—the osmundas—have long since withered & fallen. — The huckleberries & blueberries too have lost their leaves— The forest floor is covered with a thick coat of moist brown leaves, but what is that perennial & spring like verdure that clothes the rocks—of small green plumes pointing various ways— It is the cheerful community of the polypody. It survives at least as the type of vegetation to remind us of the spring which shall not fail. These are the green pastures where I browse now— Why is not this form copied by our sculptors instead of the foreign acanthus leaves & bays?
The sight of this unwithering green leaf excites me like red at some seasons. Are not wood frogs the philosophers who walk in these groves? —Methinks I imbibe a cool composed frog-like philosophy when I behold them. I don’t care for acanthus leaves— They are far fetched— I do love this form however— & would like to see it whether on your marble or my butter painted or sculptured — How fit for a tuft about the base of a column….
The evergreen ferns & lycopodiums— now have their day—now is the flower of their age—& their greenness is appreciated. They are much the clearest & most liquid green in the woods—more yellow & brown specked in the open places— The form of the polypody is strangely interesting—it is even outlandish. Some forms though common in our midst are thus perennially foreign as the growths of other latitudes—there being a greater interval between us & their kind than usual. We all feel the ferns to be further from us essentially—& sympathetically—than the phaenogamous plants—the roses & weeds for instance— It needs no geology nor botany to assure us of that—we feel it—& told them of it first. The bare outline of the polypody—thrills me strangely—it is a strange type which I cannot read—It only piques me— Simple as it is, it is as strange as an oriental character. It is quite independent of my race & of the Indian— & all mankind. It is a fabulous mythological form—such as prevailed when the earth & air & water were inhabited by those extinct fossil creatures—that we find. It is contemporary with them and affects as the sight of them.
I saw there between the converging boughs of two white pines a rod or two from me on the edge of the rock, and I thought that there was no frame to a landscape equal to this—to see between two near pine boughs whose lichens are distinct, a distant forest & lake—the one frame the other picture.
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