in Thoreau’s Journal:

Debauched and worn-out senses require the violent vibrations of an instrument to excite them, but sound and still youthful senses, not enervated by luxury, hear music in the wind and rain and running water. One would think from reading the critics that music was intermittent as a spring in the desert, dependent on some Paganini or Mozart, or heard only when the Pierians or Euterpeans drive through the villages; but music is perpetual, and only hearing is intermittent. I hear it in the softened air of these warm February days which have broken the back of the winter…

In the society of many men, or in the midst of what is called success, I find my life of no account, and my spirits rapidly fall. I would rather be the barrenest pasture lying fallow than cursed with the compliments of kings, than be the sulphurous and accursed desert where Babylon once stood. But when I have only a rustling oak leaf, or the faint metallic cheep of a tree sparrow, for variety in my winter walk, my life becomes continent and sweet as the kernel of a nut. I would rather hear a single shrub oak leaf at the end of a wintry glade rustle of its own accord at my approach, than receive a shipload of stars and garters from the strange kings and peoples of the earth.

in Thoreau’s Journal:

Under the waves of the snowy ocean yesterday, roads and rivers, pastures and cultivated fields, all traces of man’s occupancy of the globe were for the most part concealed. Water and sand also assume this same form under the influence of wind. And I have seen, on the surface of the Walden ice, great sweeping, waving lines, somewhat like these. It is the track of the wind, the impress which it makes on flowing materials.

in Thoreau’s Journal:

When I select one here and another there, and strive to join sundered thoughts, I make but a partial heap after all— Nature strews her nuts and flowers broadcast, and never collects them into heaps— A man does not tell us all he has thought upon truth or beauty at a sitting—but from his last thought on the subject wanders through a varied scenery of upland meadow and woodland to his next— Sometimes a single and casual thought rises naturally and inevitably with a queenly majesty and escort  like the stars in the east. Fate has surely enshrined it in this hour and circumstances for some purpose— What she has joined together, let not man put asunder.—  Shall I transplant the primrose by the river’s brim—to set it beside its sister on the mountain? This was the soil it grew in—this the hour it bloomed in—if sun, wind, and rain came here to cherish and expand it–shall not we come here to pluck it? — Shall we require it to grow in a conservatory for our convenience?

I feel slightly complimented when nature condescends to make use of me without my knowledge—as when I help scatter her seeds in my walk—or carry burs and cockles on my clothes from field to field— I feel as though I had done something for the commonweal, and were entitled to board and lodging.— I take such airs upon me as the boy who holds a horse for the circus company—whom all the spectators envy

in Thoreau’s Journal:

The trunks & branches of the trees are of different colors at dif. times & in dif. lights & weathers. In sun, rain, & in the night. The oaks bare of leaves on Hubbards hill side are now a light grey in the sun and their boughs seen against the pines behind are a very agreeable maze. The stems of the white pines also are quite grey at this distance with their lichens. I am detained to contemplate the boughs—feathery boughs of the white pines, tier above tier, reflecting a silvery light—with intervals (between them) though which you look, if you so intend your eye, into the darkness of the grove. That is you can see both the silvery lighted & greenish bough—& the shadowy intervals as belonging to one tree—or more truly refer the latter to the shade behind.

I suspect that the child plucks its first flower with an insight into its beauty and significance which the subsequent botanist never retains.

in Thoreau’s Journal:

—To Walden

I go to walk at 3 p.m., thermometer 18°. It has been about this (and 22°) at this hour for a week or two. All the light snow, some five inches above the crust, is adrift these days and driving over the fields like steam, or like the foam-streaks on a flooded meadow, from northwest to southeast. The surface of the fields is rough, like a lake agitated by the wind.

in Thoreau’s Journal:

Access to nature for original observation is secured by one ticket, by one kind of expense, but access to the works of your predecessors by a very different kind of expense. All things tend to cherish the originality of the original. Nature, at least, takes no pains to introduce him to the works of his predecessors, but only presents him with her own Opera Omnia

in Thoreau’s Journal:

It is easy to repeat, but hard to originate. Nature is readily made to repeat herself in a thousand forms, and in the daguerreotype her own light is amanuensis, and the picture too has more than a surface significance, —a depth equal to the prospect,––so that the microscope may be applied to the one as the spy-glass to the other. Thus we may easily multiply the forms of the outward; but to give the within outwardness that is no easy.

That an impression may be taken, perfect stillness, though but for an instant, is necessary. There is something analogous in the birth of all rhymes.

Our sympathy is a gift whose value we can never know, nor when we impart it. The instant of communion is when, for the least point of time, we cease to oscillate, and coincide in rest by as fine a point as a star pierces the firmament.

in Thoreau’s Journal:

In the winter the botanist can study lichens.