My Journal is that of me which would else spill over and run to waste.— gleanings from the field which in action I reap. I must not live for it, but in it for the gods— They are my correspondent to whom daily I send off this sheet post-paid. I am clerk in their counting room and at evening transfer the account from day-book to ledger.
It is as a leaf which hangs over my head in the path — I bend the twig and write my prayers on it then letting it go the bough springs up and shows the scrawl to heaven. As if it were not kept shut in my desk—but were as public a leaf as any in nature—it is papyrus by the river side—it is vellum in the pastures—it is parchment on the hills— I find it every where as free as the leaves which troop along the lanes in autumn— The crow—the goose—the eagle—carry my quill—and the wind blows the leaves—as far as I go— Or if my imagination does not soar, but gropes in slime and mud—then I write with a reed.
It is always a chance scrawl, and commemorates some accident—as great as earthquake or eclipse. Like the sere leaves in yonder vase these have been gathered far and wide—upland and lowland.— forest and field have been ransacked.
The weather has been very changeable for some weeks. First it is warm and thawing, sloshy weather; then the thermometer goes down to 19° below zero, and our shoes squeak on the snow; then, perhaps, it moderates and snows; then is mild and pleasant again and good sleighing; then we wake to find a drifted snow upon the last and a bleak, wintry prospect.
A thick fog. The trees and woods look well through it. You are inclined to walk in the woods for objects. They are draped with mist, and you hear the sound of it dripping from them. It is a lichen day. Not a bit of rotten wood lies on the dead leaves, but it is covered with fresh, green cup lichens, etc., etc. All the world seems a great lichen and to grow like one to-day,—a sudden humid growth. I remember now that the mist was much thicker over the pond than elsewhere. I could not distinguish a man there more than ten rods off, and the woods, seen dimly across a bay, were mistaken for the opposite side of the pond. I could almost fancy a bay of an acre in extent the whole pond. Elsewhere, methinks, I could see twice as far. I felt the greater coolness of the air over the pond, which it was, I suppose, that condensed the vapor more there.
A mild, thawy day. The needles of the pine are the touch-stone for the air—any change in that element is revealed to the practiced eye by their livelier green or increased motion. They are the tell-tales. Now they are (the white pine) a cadaverous, misty blue—anon a lively silvery light plays on them —& they seem to erect themselves unusually—while the pitch pines are a brighter yellowish green than usual—The sun loves to nestle in the boughs of the pine & pass rays through them.
The scent of bruised pine leaves where a sled has passed is a little exciting to me now…
We go wading through snows now up the bleak river, in the face of the cutting northwest wind and driving snow-steam, turning now this ear, then that, to the wind, and our gloved hands in our bosoms or pockets. Our tracks are obliterated before we come back. How different this from sailing or paddling up the stream here in July, or poling amid the rocks! Yet still, in one square rod, where they have got out ice and a thin transparent ice has formed, I can see the pebbly bottom the same as in summer.
It is a cold and windy Sunday. The wind whistles round the northwest corner of the house and penetrates every crevice and consumes the wood in the stoves, — soon blows it all away. An armful goes but little way. Such a day makes a great hole in the wood-pile. [It] whisks round the corner of the house, in at a crevice, and flirts off with all the heat before we have begun to feel it.
Some of the low drifts but a few inches deep, made by the surface snow blowing, over the river especially, are of a fine, pure snow, so densely packed that our feet make hardly any impression on them.
It is remarkable that the straw-colored sedge of the meadows—which in the fall is one of the least noticeable colours—should now that the landscape is mostly covered with snow—be perhaps the most noticeable of all objects in it for its color. —& an agreeable contrast to the snow—
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